Poets Laureate Across Massachusetts A note from the interviewer, Alice Kociemba Poetry has a natural kinship with music, story telling, and theater, as Magdalena Gómez, Poet Laureate of Springfield keenly appreciates. In this second spotlight on the Commonwealth’s...
Blog
Julia Story’s “Barely There” & Beth Suter’s “Portmanteau Prayer for Moms” (Salamander Magazine)
Barely There by Julia Story I had touched the weepingbirch in the cemetery so manytimes that there was a smallmark, a grease mark or wornplace where my hand hadrested, trying to feel thespinning that connected itto some invisible undergroundpathway. The cranial...
Meet Lloyd Schwartz, Somerville’s Poet Laureate
Poets Laureate Across Massachusetts A note from the interviewer, Alice Kociemba Many years ago now, I attended a panel discussion at a Mass Poetry Festival in Salem by New England poets laureate from Vermont, New Hampshire, Maine, Rhode Island and Connecticut. Sadly,...
Traci Brimhall’s “Contender” & Malachi Black’s “Indirect Light” (Ploughshares)
Contender by Traci Brimhall It’s alright to overdress for the riot. Your rage is stunning.It’s alright to pursue the wrong pleasures and the right suffering.Here’s my permission. Take it. It’s alright to replace a siren with a bell. Let the emergency make some music....
Getting To Know Lindsay Illich & Her New Book, Fingerspell
When did you first encounter poetry? How did you discover that you wanted to write poems? Ok, so I need to tell you that a month ago, our house was destroyed in a fire. In my head, I say it like I would as a kid--our house burned down. I needed to start with saying...
Kiese Laymon’s “And Blue” (Boston Review)
And Blue by Kiese Laymon All our irony and stretch marks and knowing nods and creations and trifling ways and imagination and sight beyond sight and dignity in the face of murder and lies that sound truthful and the truth that sound lied up and porches and...
Carole A. Stasiowski’s “Horseshoe Crabs off Loop Beach, Cape Cod, Mid-September” & Kate Rushin’s “Black Memorabilia: Indian Blood” (Cape Cod Poetry Review)
Horseshoe Crabs off Loop Beach, Cape Cod, Mid-September by Carole A. Stasiowski I don’t expect this extravagance of death, a thousand and more ...
Getting To Know Amanda Lou Doster & Her New Book, Everything Begins Somewhere
When did you first encounter poetry? How did you discover that you wanted to write poems? I was 12 or 13 in the early 90s, an American tween living in the suddenly former East Germany, my family part of a tiny English-speaking expatriate artist community. There...
Annual Report 2019
2019 ANNUAL REPORT Letter from our leadership Dear poets, friends, bibliophiles, partners & wordsmiths all, Joining Mass Poetry in 2018 as its executive director felt like a homecoming to me. I mean this in the deepest sense. Poetry, for many years, has given me...
Maria Luisa Arroyo’s “Unmasked”
Unmasked by Maria Luisa Arroyo for Lucie Brock-Broido (1956-2018) | Stonecoast Writers’ Conference, 1993 LB squared, you flipped up my mask, askedme to write beyond my eyes, the Hagia Sophia, Agha-jan’s stern face, Mamani’s tear-soaked chador, their son, my husband...
Najya Williams ‘ “thank you”& Karen D’Amato’s ““Light through Lace Curtains”
thank you by Najya Williams To a body long forgotten. To a body long stretched plucked pulled. To a body long abandoned. To a body never forgiven. To a body often criticized. To a body discarded. To a body thick like molasses. To a body...
Getting To Know Allison Adair & Her New Book, The Clearing
When did you first encounter poetry? How did you discover that you wanted to write poems? Poetry seemed a little exclusive to me when I was younger, a little chi-chi. But that was only because I wasn’t exposed to very much of it. In college I was interested in trying...
Boston Book Festival
Mass Poetry is co-sponsoring two events at the virtual 2020 Boston Book Festival (October 5th – 25th, 2020).
Nathan Mcclain’s “Against Melancholy”
Against Melancholy by Nathan McClain At first it is Beethoven’s Ninth I’m thinking of— not all of it—mostly the fourth movement, that rousing crescendo you might hear at the end of a movie where the protagonist has graduated or overcome some great hurdle, cello,...
Cliff Notez’s “Completely Dishonest” & Emily Duggan’s Tomorrow After the End of the World
Completely Dishonest by Cliff Notez To live in this skin,When being completely dishonest with the worldDo not tell them how you snore like lightning Tell them that you are only 5’9’’Tell them you hate to read Do not tell them that you are...
Getting To Know Steven Cramer & His New Book, Listen
When did you first encounter poetry? How did you discover that you wanted to write poems? There was no poetry in my parents’ house, and mostly genre prose. Ian Fleming, not Henry Fielding. From first to twelfth grade, I read what teachers assigned, too often less than...
Danielle Legros Georges’ “Only”
Only by Danielle Legros Georges Nature hides the most beautiful design: the norm, the anomaly, the rare, the rarest, which is to say, the only, and aren’t weeach, twins even, only? “Only” from The Dear Remote Neamess of You. Copyright 2016 by Danielle Legros Georges....
Tim Hall’s “Autumn Leaves” & Kali Lightfoot’s “Grocery Gavotte, 5:30 a.m.”
Autumn Leaves by Tim Hall To live in this skin,Is to fear breathing,Is to have no control of breathing,Is to walk around with two puffs left in my inhaler,hesitant to use it,worried that I won't be able to breath someday. To live in this skin,Is to scream...
Getting To Know Eman Hassan & Her New Book, Raghead
When did you first encounter poetry? How did you discover that you wanted to write poems? It was the summer I turned eleven. I discovered T.S. Eliot’s collected poems on my mother’s bookshelf, along with Emily Dickinson’s work. I was blown away by how you could use...
Sarah Dickenson Snyder’s “I am From the Church of Human Hands”
I am From the Church of Human Hands by Sarah Dickenson Snyder the Hands that tighten the lug bolts on rotated tires, the Hands that picked the hen-of-the woods (and not death caps) I buy to make wild mushroom soup, the hundreds of steady Hands clasping...
Interview with Brookline Poetry Series
Interview with Aimée Sands, Co-Director







